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Origin of Calypso
Calypso rhythms can be traced back to the arrival of the first African slaves brought to work in the sugar plantations of Trinidad. Forbidden to talk to each other, and robbed of all links to family and home, the African slaves began to sing songs. They used calypso, which can be traced back to West African kaiso, as a means of communication and to mock the slave masters.
Trinidad was colonized by the Spanish, received large numbers of French immigrants, and was later ruled by the British. This multi-colonial past has greatly impacted the development of calypso in Trinidad. Many early calypsos were sung in a French-Creole dialect called patois ("pat-was"). These songs, usually led by one individual called a griot, helped to unite the slaves.
Calypso singing competitions, held annually at Carnival time, grew in popularity after the abolition of slavery by the British in the 1830s. (It was the French who brought the tradition of Carnival to Trinidad.) The griot later became known as the chantuelle and today as the calypsonian.
The Golden Age of Calypso
The year 1914 was a landmark year in the history of calypso. This is the year that the first calypso recording was made. The late 1920s gave birth to the first calypso tents. Originally, calypso tents were actual tents where calypsonians would practice before Carnival. Today calypso tents are showcases for the new music of Carnival season.
By the late 1930s, exceptional calypsonians such as Atilla the Hun, Lord Invader and the Roaring Lion were making an indelible impression on the calypso music world. Lord Kitchener rose to prominence in the 1940s and dominated the calypso scene until the late 1970s. Lord Kitchener continued to make memorable hits until his death in 2001.
In 1944, the Andrews Sisters (an American trio) did a cover version of Lord Invader's hit Rum and Coca Cola. Since then the United States and the rest of the world has identified calypso with the Caribbean.
In 1956, Harry Belafonte recorded his Calypso album containing the famous Banana Boat Song ("Day-O") - probably the most internationally well known calypso song. His Calypso album also became the first album ever to sell over one million copies. This was also the year the Mighty Sparrow burst onto the scene and took the calypso world by storm with his legendary hit Jean and Dinah.
Jean and Dinah, which celebrated the departure of US troops from Trinidad, ushered in a new era of politically charged calypso. This politicized form of calypso, allying itself with the People's National Movement (PNM) party, facilitated Trinidad's independence from Britain in 1962. Socially and politically conscious calypso has had a major influence on many of Trinidad's most important social and political movements.
Together with Lord Kitchener, Mighty Sparrow dominated the calypso scene until the late 1970s. The Mighty Sparrow has continued to record and to date has produced some 90 albums. The National Carnival Commission (NCC) declared Carnival 2001 as "The Sparrow Carnival" in honor of his contributions. Also, the Caribbean Community (CARICOM) has awarded the Mighty Sparrow with the Caribbean's highest award, the Order of the Caribbean, for outstanding contribution to the development of the region.
Calypso typically involves social commentary, oftentimes laced with humorous satire on current events. Calypso is the voice of social conscience. However, not all calypsos are socially conscious calypso has always had its risqué side too.
Most of the top calypsonians from the golden age have been male; The Growling Tiger, Lord Executor and Lord Pretender, just to name a few. However, the 1960s saw the rise of Calypso Rose, the undisputed "Queen of Calypso." Over the years, Calypso Rose has written and performed songs with themes ranging from political commentaries to party songs, and has won numerous awards. Her 1996 hit Fire In Me Wire has become a calypso anthem. Calypso Rose has managed to excel in this otherwise male dominated genre.
A Decline in Calypso & Rise of Soca
By the 1970s the golden age of calypso was over and many calypso players were beginning to view the music as being exhaustive. But calypso was not over, rather it just needed new flavor. This flavor was give by Lord Shorty, a great calypso player, and father of Soca music. Lord Shorty added Indian instrumentation and rhythms to the African based instrumentation & rhythms of calypso. This was a natural progression because Indians and Africans where the main inhabitants of Trinidad & Tabago, the home of Calypso & Lord Shorty. This musical synthesis gave rise to a new form of calypso called Soca. In addition to Indian music, Jamaican reggae, R&B & even rock have & continue to influence calypso music. Even poetry has influenced calypso, giving rise to Rapso. Further, other styles such as soca-chutney and ringbang give listeners even more musical choices.
Contemporary calypsonians such as David Rudder have very successfully combined calypso lyrics with dance rhythms - making the music accessible to a larger audience. Musicians and groups such as Rudder & the Love Circle, as well as he annual resurgence of calypso at Carnival time lets us know that calypso is very much alive and vibrant with a bright future.
As with all great music styles Calypso strongly influences and the predecessor
of serveral musical styles, including
Rapso. Like Calypso, each of these styles employ the power of rhythm
to create joyous & energized music.