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History of Conga Drums©Artdrum.comThe
conga drum originates from Africa. The
name conga is probably derived from the name of it’s homeland, the
Congolaise of Africa. Nonetheless,
the Conga is also called the Tumbadora. The
conga is a descendant of a conical shaped drum of “Makuta”. The
conga has gone through several changes in form and materials since it was
originally created. Today's congas
are more rounded than its conical ancestor.
The conga was originally made from wood, but is available today in
fiberglass as well. Conga
heads were originally made from rawhide. Rawhide
is still the most popular material for heads, but today, synthetic heads, made
of plastics & other materials, are also available. The
skin heads of the original congas were nailed to the wooden shell; before each
performance the nailed the heads where heated by a brazier to obtain the desired
tension. Today, the skin is held in
place by a set of rings & tuning lugs, which also serve to adjust the
tension. Three
conga head sizes emerged from the conical African drum. The name of the head sizes gives insight to that drum’s functions. For instance, even today, the names describe the drums pitch, tempos & rhythms it will play. Quinto,
Conga & Tumbadora or Tumba are the three sizes. The
Quinto is the high pitched, small head conga.
It is the solo drum, played by soloists. The
Quinto is as the singer of the band. The
quinto is used to drum a melody; to accent; to sing, laugh & cry. The
Conga is the mid-range, medium head conga.
It plays the middle parts of three-part rhythms.
The
Conga is the most versatile size. Although
it is theoretically intended for the middle drum parts, in practice it is also
used to play high drum & low drum parts.
The Conga size is sometimes referred to as the Segundo. The
Tumba is the low pitched, large head conga.
The Tumba plays the low drum rhythm parts. Tumba is short for Tumbadora. The Tumba is sometimes referred to as the Salidor. When
the conga was first becoming popular congeros (conga players) would play only
one drum at a time. Hence the
rhythm parts were strongly assigned and the players were experts in their parts. As
players developed and mastered conga playing techniques the music and rhythm
arrangements grew with increasing complexity.
Within this development the congeros began playing two & three drums
simultaneously. |
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